回复：『T.S. 89』滚石文章翻译：为TS的115首歌排名（并附评价）

11. "Enchanted" (2010)
The moment where this bittersweet symphony leaps from a nine to a 10comes at the 4:25 point, when it feels like the song has reached its logicalconclusion, until the Interior Monologue Voice-Over Taylor beams in to whisper:"Please don't be in love with someone else/Please don't have somebodywaiting on you." In the final seconds, for the coup de grace, she duetswith herself.
Best line: "The lingering question kept me up at 2 a.m./Who do youlove?"
这首苦乐参半的曲目从九分飞跃到十分的时刻在4:25，理论上一般的歌应该结束了，但此时Taylor低语的内心独白开始绽放光芒:"Please don't be in love with someone else/Please don't have somebodywaiting on you."最后的致命一击在结尾几秒，她与自己合唱的那一段。

10. "Our Song" (2006)
The hit that made me a Swift fan, the first moment I heard it in 2007 –it knocked me sideways in the middle of lunch. (The CW played it asinterstitial music between afternoon reruns of the Clueless sitcom and WhatI Like About You.) "Our song is a slamming screen door," what agenius hook. I Googled to see who wrote this; it turned out the songwriter wasalso the singer and – how strange – she was just starting out. I hoped shemight have at least another great tune or two in her. This song and that voicehave kept slamming those screen doors ever since.
Best line: "We're on the phone, and you talk reeeeeal slow/'Causeit's late and your mama don't know."
这是让我成为Swift粉丝的歌，2007年我第一次听到这首歌的时候，它在午餐半途给了我会心一击（CW电视台把这首歌作为下午播放的情景喜剧Clueless还有What I Like About You之间的过渡曲）"Our song is a slamming screen door,"这句词是多么天才啊。我去搜创作者是谁，然后发现她同时还是演唱者，太奇怪了，她还只是个新人。我当时希望她脑子里起码还有一两首好歌。然而从此之后，这首歌和这个声音就不负所望不停地打开人们的心门。

9. "Red" (2012)
The mission statement for Red, this century's most ridiculouslymasterful megapop manifesto. Eurodisco plus banjos – the glitter-cowgirltotality Shania Twain spent years trying to perfect, with a color-trippinglyric worthy of Prince himself, faster than the wind, passionate as sin. Plus,her all-time gnarliest pileup of Swiftian metaphors. (Nitpick: What kind ofcrossword puzzle has no right answer? What self-respecting puzzlemaster wouldsign off on that?)
Best line: "Lovin' him was like driving a new Maserati down adead-end street."
此曲Red专辑的宗旨所在，而这张专辑是本世纪最娴熟的超级流行宣言。欧陆迪斯科配上班卓琴——这是ShaniaTwain尝试多年想要完善的流光溢彩牛仔女郎形象，再加上配得起Prince的泼溅一般绚烂的色彩，简直比风还迅疾，比犯罪还刺激。这是堆砌Swift式歪七扭八的暗喻最多的歌（我们来找茬：什么样的谜才没有正确答案？自重的解谜大师真的会允许这种事情发生吗？）

8. "Clean" (2014)
Love is the drug. "Clean" is the stark synth-folk ballad of aninfatuation junkie struggling through some kind of detox, with a big assistfrom Imogen Heap. An intense finale for the all-killer homestretch of 1989.
Best line: "Ten months sober, I must admit/Just because you'reclean don't mean you don't miss it."
爱情是让人上瘾的毒 品。Clean这首十足的synth民谣风抒情曲讲的就是一个醉心毒 品的瘾君子在Imogen Heap的帮助下跌跌撞撞试图找到解药的过程。在五专所有歌曲都是决赛跑道上有力竞争对手的情况下，Clean作为收尾曲依然实力不俗。

7. "Holy Ground" (2012)
Nobody does zero-to-60 emotional peel outs like our girl, and "HolyGround" is her equivalent of Evel Knievel jumping the Snake River Canyon.Note the sly brilliance of how she steals that Eighties guitar riff from noneother than Billy Idol, making this her "White Wedding" as well as her"Rebel Yell." (Though the lyrics are about dancing with herself.) Ahighlight on the Red tour, showcasing Tay's drum-solo skills.
Best line: "Hey, you skip the conversation when you alreadyknow."
说到情感上的急速飙升，没有人比Taylor更在行了，Holy Ground在她的世界里就等同于EvelKnievel从蛇河峡谷纵身一跃。注意一下她从Billy Idol那儿偷师学来的吉他反复节段，这使得这首歌成为她的”White Wedding”， 也是她的”Rebel Yell”（尽管歌词讲的是独自起舞）。RedTour的亮点之一，展示了Taylor作为鼓手的高超技艺。

6. "Dear John" (2010)
A slow-burning, methodical, precise, savage dissection of a failedquasi-relationship, with no happy ending, no moral, no solution, not even alesson learned – just a bad memory filed away. "Dear John" mightsound like she's spontaneously pouring her heart out, but it takes one deviousoperator to make a song this intricate feel that way. ("You're an expertat sorry and keeping lines blurry and never impressed by me acing your tests"– she makes all that seem like one gulp of breath.) Every line stings, rightdown to the end when she switches from "I should have known" to"You should have known."
Best line: "I'm shining like fireworks over your sad emptytown."
一首怒气渐起，有条不紊，精准无比，辣手狠心的对失败恋情的完全剖析之歌，它没有完美结局，没有道德可言，毫无答案可寻，甚至连教训都没有，只有噩梦般的记忆亟待收拾。”Dear John”听起来像是她漫不经心地诉说心事，但要达到这么错综复杂的听感，只有九曲心肠的人才能写就。（"You'rean expert at sorry and keeping lines blurry and never impressed by me acingyour tests"，这么长的故事听起来却有一息即尽的感觉）每一句歌词都让人如芒在背，一直持续到结尾一句她把"Ishould have known" 换成"Youshould have known."

4. "Blank Space" (2014)
A double-venti celebration of serial monogamy for Starbucks loverseverywhere, as Tay zooms through the whole cycle – the high, the pain, theplayers, the game, magic, madness, heaven, sin. Every second of "BlankSpace" is perfect, from the pen clicks to the"nasss-taaaay-scarrr" at the end. The high might not be worth thepain, but this song is.
Best line: "Darling, I'm a nightmare dressed like a daydream."
世界各地的星巴克爱好者们都能享受到的对浪荡情史的“超大杯”庆祝：Taylor快速地把完整流程都描述了一遍——愉悦，痛苦，玩家，游戏，魔法，疯狂，天堂，罪恶。Blank Space的每一秒都是完美的，从她”啧”的一声到最后的"nasss-taaaay-scarrr". 可能恋情中的欢愉并不值得让你付出那么大的痛苦，但这首歌却绝对值得。

3. "Long Live" (2010)
This is her "Common People," her "Born to Run," her "We Are the Champions." An arena-slaying rock anthem to cap off Speak Now, for an ordinary girl who suddenly gets to feel like she rules the world for a minute or two. "Long Live" could be a gang of friends, a teen couple at the prom, a singer addressing her audience. But like so many songs on Speak Now, her secret prog album, it reaches a point where it feels like it's over and Tay's bringing it in for a landing, except that's when the song gets twice as good. In the final verse, she makes a gigantic mess. (Actual lyric: "Promise me this/That you'll stand by me forever." WTF, girl, you were doing so well there.) Yet that's the moment that puts "Long Live" over the top – a song nobody else could have written, as she rides those power chords home. That's Taylor: always overdoing it, never having one feeling where six would do. Long live.
Best line: "I had the time of my life fighting dragons with you."
这首歌是她的Common People, 是她的Born To Run, 是她的We Are The Champions. 对于一个偶有自己能统领世界感觉的平凡女生来说，这首完美胜任体育馆演唱曲目的摇滚赞歌给Speak Now很好地收了尾。但如同这张秘密计划专辑中的其他歌一样，Long Live唱到后面感觉马上要结束了，Taylor却把这部分当作跳板为之后的部分铺路，这也就是这首歌巧妙之处翻倍的时候。不过在最后一段主歌里，她却开始乱说(实际歌词:"Promise me this/That you'll stand by me forever." 妹子你弄啥嘞，你根本不缺支持啊？)不过这也就是这首歌的超群之处：她得心应手地运用和弦，别人却根本写不出这样的歌。这就是Taylor：能多写的时候绝不少分毫，能运用六种感情的时候绝不只表达一种。Taylor万岁！

2. "New Romantics" (2014)
The way Taylor exhales at the end of the line "I'm about to play my ace-aaah" is perhaps the finest moment in the history of human lungs. "New Romantics" is where she takes the Eighties synth-pop concept of 1989 to the bank, with a mirror-ball epiphany that leaves tears of mascara all over the dance floor. She tips her cap to the arty poseurs of the 1980s New Romantic scene – Duran Duran, Adam Ant, the Human League, etc. – yet sounds exactly like her own preposterously emotional self. (One of my weirdest moments of recent years: explaining this song's existence to the guys in Duran Duran.) "New Romantics" is hardly the first time she's sung about crying in the bathroom, but it's the one that makes crying in the bathroom sound like a bold spiritual quest, which (when she sings about it) it is. The punch line: Having written this work of genius, exceeding even the wildest hopes any fan could have dreamed, she left it off the damn album, a very New Romantic thing to do.
Best line: "We show off our different scarlet letters/Trust me, mine is better."
Taylor在"I'm about to play my ace-aaah"里唱的气音大概是人类的肺有史以来最美好的时刻了。New Romantics是她把五专的八十年代合成器流行乐概念发挥到极致的作品，她终于顿悟了“人若犯我，我必十倍奉还”的道理，然后在舞池里哭花了睫毛膏。她向八十年代新浪漫风潮中浮夸造作的艺术家们脱帽致敬：Duran Duran, Adam Ant, the Human League等等。但即使是这样，这首歌还是保持了她异常情绪化的自我。（近年来我经历过的最诡异场面：把这首歌介绍给Duran Duran成员）写她在浴室里哭泣，New Romantics不是第一首，但是却是第一首把这种行为写成一种精神上的勇敢探求的歌，事实的确如此（只有她唱才是这样）。好笑的是：当她写出这么首杰作，超出了任何粉丝最狂野的幻想之后，她居然把这首歌放在豪华版里面当加曲，真是非常新浪漫主义的行为。

1. "All Too Well" (2012)
So casually cruel in the name of being awesome. This towering ballad is Swift's zenith, building to peak after peak. For "All Too Well," she teams up with her trustiest collaborators – songwriting sensei Liz Rose, producer Nathan Chapman – to spin a tragic tale of doomed love and scarves and autumn leaves and maple lattes. It's full of killer moments: the way she sings "refrigerator," the way she spits out the consonants of "crumpled-up piece of paper," the way she chews up three "all"s in a row. No other song does such a stellar job of showing off her ability to blow up a trivial little detail into a legendary heartache. (That scarf should be in the Rock and Roll Hall of Fame, though in a way it already is.) You can schaeden your freude all over the celebrity she reputedly sings about, but on the best day of your life you will never inspire a song as great as "All Too Well." Or write one.
Best line: "Maybe we got lost in translation/Maybe I asked for too much/Maybe this thing was a masterpiece till you tore it all up/Running scared, I was there, I remember it all too well."
以绝赞之名狠虐我心。这首卓越的抒情曲是Taylor的顶峰之作，高潮一个接一个。为完成All Too Well，她与她最信任的组合 — 词作大师Liz Rose，制作人Nathan Chapman合作，写出了一首包含围巾、秋日落叶、枫糖拿铁的命定爱情悲剧之歌。这首歌的分分秒秒都动人心魄：她唱refrigerator的方式；她在“crumpled-up piece of paper”句中的辅音吐字；她连续唱出三个all的感觉。没有别的歌能像这首一样，全方位展示出她把生活中的细微小事堆叠起来形成最让人心碎的作品的能力（那条围巾应该被纳入摇滚名人堂，尽管在某种程度上它已经在那儿了）。你可以对她据传唱到过的那些名人幸灾乐祸，但是即使是你人生中过的最好的一天也绝不可能启发出这么伟大的一首歌，你也不可能写的出。

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终于翻完了。
中间有些地方是在我比较烦躁没什么耐心的情况下翻的，可能显得很敷衍，但是我保证前十都是用心斟酌过的，然后中间有些让人发笑的片段我也有仔细考虑到底对不对合不合适。
谢谢@海德堡213 大神帮我捉虫

引言第二段少翻译了最后一句
All that matters is whether they're about you and me. (I guarantee you are a more fascinating human than the Twilight guy, though I'm probably not.)
重要的是这些歌是否有关你我（我可以保证，你比那个暮光男肯定更有趣，我就另当别论了）。