二、 依诗作画：
Second, according to Chinese landscape poetry of content creation:
5、中国山水诗意画《金秋红叶》
5、Poetic Chinese landscape painting "beautiful golden autumn leaves"[img] [/img]
流水何太急，深宫尽日闲。殷勤谢红叶，好去到人间。——【唐】宣宗宫人诗意
【赏析】本诗写的是一个失去自由、失去幸福的人对自由、对幸福的向往。诗的前两句「流水何太急，深宫尽日闲」，妙在只责问流水太急，诉说深宫太闲，并不明写怨情，而怨情自见。诗的后两句「殷勤谢红叶，好去到人间」，运笔更委婉含蓄。它妙在曲折传意，托物寄情，不从正面写自己的处境和心情，不直说自己久与人间隔离和渴望回到人间，而用折射手法，从侧面下笔，只对一片随波而去的红叶致以殷勤的祝告。这里，题诗人对身受幽囚的愤懑、对自由生活的憧憬以及她的冲破樊笼的强烈意愿，尽在不言之中，可以不言而喻了。本作品取反义：一艘乘风破浪的帆船，远行在红叶青山间；它满载着主人对美好生活憧憬，划过“沟沟坎坎、浊浪重重”一直奔向和谐的光明。
【Appreciate】The poem describes a loss of freedom and happiness of people lost their freedom, the yearning for happiness. The first two poems, "What water too fast, do palace on idle", wonderful in the water too fast just scolded, telling palace too busy, not out to write a complaint, but a complaint from view. After the two poems, "gracious thank leaves, good to go to the earth", the pen moves more euphemistic. It is wonderful twists and turns communication, child care, always focussed on, not from the front to write their own situation and feelings, not always say that their long isolation and the desire to return with the human world, but with refraction methods, from the side write, but only one with wave extend hospitality to the leaves of Zhu Gao. Here, people are seriously humor poem prisoners of resentment, longing to live in freedom and break through the confinement of her strong will, do not words into, can be self-evident.
I created the painting in the opposite sense: the sailing ship the wind and waves, travels between Castle Peak in the leaves; its owner for a better life filled with longing, across the "Gully sill, heavy turbid waves" has been toward a bright and harmonious.
规格：136×68cm 纸本设色 2010年4月创作
Size: 136 × 68cm paper colors created in April 2010
Second, according to Chinese landscape poetry of content creation:
5、中国山水诗意画《金秋红叶》
5、Poetic Chinese landscape painting "beautiful golden autumn leaves"[img] [/img]
流水何太急，深宫尽日闲。殷勤谢红叶，好去到人间。——【唐】宣宗宫人诗意
【赏析】本诗写的是一个失去自由、失去幸福的人对自由、对幸福的向往。诗的前两句「流水何太急，深宫尽日闲」，妙在只责问流水太急，诉说深宫太闲，并不明写怨情，而怨情自见。诗的后两句「殷勤谢红叶，好去到人间」，运笔更委婉含蓄。它妙在曲折传意，托物寄情，不从正面写自己的处境和心情，不直说自己久与人间隔离和渴望回到人间，而用折射手法，从侧面下笔，只对一片随波而去的红叶致以殷勤的祝告。这里，题诗人对身受幽囚的愤懑、对自由生活的憧憬以及她的冲破樊笼的强烈意愿，尽在不言之中，可以不言而喻了。本作品取反义：一艘乘风破浪的帆船，远行在红叶青山间；它满载着主人对美好生活憧憬，划过“沟沟坎坎、浊浪重重”一直奔向和谐的光明。
【Appreciate】The poem describes a loss of freedom and happiness of people lost their freedom, the yearning for happiness. The first two poems, "What water too fast, do palace on idle", wonderful in the water too fast just scolded, telling palace too busy, not out to write a complaint, but a complaint from view. After the two poems, "gracious thank leaves, good to go to the earth", the pen moves more euphemistic. It is wonderful twists and turns communication, child care, always focussed on, not from the front to write their own situation and feelings, not always say that their long isolation and the desire to return with the human world, but with refraction methods, from the side write, but only one with wave extend hospitality to the leaves of Zhu Gao. Here, people are seriously humor poem prisoners of resentment, longing to live in freedom and break through the confinement of her strong will, do not words into, can be self-evident.
I created the painting in the opposite sense: the sailing ship the wind and waves, travels between Castle Peak in the leaves; its owner for a better life filled with longing, across the "Gully sill, heavy turbid waves" has been toward a bright and harmonious.
规格：136×68cm 纸本设色 2010年4月创作
Size: 136 × 68cm paper colors created in April 2010
