[搬运+翻译]回忆录+外网信息搬运等

更新一， 来自于Kanin回忆录
段句翻译，本人英语水平也不过是可以用，如有任何问题，欢迎指出。
I prefer not to name the celebratedplaywright who lunched with Ruth and Spencer and me in Paris one afternoon atMaxim’s.
我倾向于不说出那个和我、Ruth、屈赛在巴黎的一个下午一起吃午饭的著名编剧。
He had been very anxious to meetSpencer, who was honored to meet him, and the luncheon was a success from theoutset.
他非常渴望见到屈赛，而屈赛也觉得见到他很荣幸，午餐在一开始进行的很顺利。
Dawdling over coffee, reluctant toend the occasion, we continued our conversation.
随意地喝着咖啡，我们并不愿意结束这个见面，于是继续我们的谈话，
“I’d love to see you in a play withKatharine Hepburn,” said the celebrated playwright. “It would make history.”
“我将很乐意看到你和凯瑟琳.赫本一起出演，这将创造历史。” 著名的编剧说到。
“It would if the play was any good,” saidSpencer. “And the parts.”
“如果这部剧以及角色都不错的话” （译注：这里我不是很确定，part是不是这么理解）
“Of course,” said the celebratedplaywright, “that goes without saying. I’m damned if I’m not going to try putsomething together.”
“当然“ 这位编剧说到：”那当然不用说，如果我不尝试把一些东西放在一起，我真是该死。“
“Very Flattering,” said Spencer.
“真是非常抬举了。“
“Not at all.” Said the celebratedplaywright, “Not at all.”
著名的编剧说：“并不是，并不是“
It was almost impossible to see hiscreative juices beginning to flow. His fingertips tapped the table and he lit acigarette although he had a fresh one burning in the ashtray. His eyes dartedabout like minnows in a pool.
当这位编剧思如泉涌时是几乎不可能无视的，他的指甲敲打着桌子，虽然他刚吸完一根烟扔在烟灰缸里，他仍然点上了新的。他的目光飞速闪动就像是池塘里的鲦鱼。
“I can see it,” he said. ”I mean,feel it. The sort of relationship it should be. And I’d want to tailor it verycarefully. The acting, the big acting, would have to be in your part, ofcourse. But use everything possible out of that delicious personality of hers,so that…..”
他说到：“我可以看到，或者说我可以感觉到，应该是哪种关系。我希望仔细地编写它。表演，伟大的表演，那是您的部分，当然。 但是我会仔细采用每个她美妙的性格中可能的部分“
Spencer frowned as he interrupted.“What do you mean? I’m not sure I follow.”
屈赛皱着眉头解读到：“你是什么意思？我不认为我明白“
Ruth looked worried.
Ruth看起来很担心。
“Well,” said the celebratedplaywright, “we all know that Kate is a tremendous personality but not whatyou’d call a real actress.”
这位有名的编剧说到：“嗯，我们都知道Kata是个很不一般的人，但并不是你能称之为真正的女演员的那种。“
“Not what who’d call a realactress?” said Spencer in tones that vibrated the china and cutlery on ourtable and reverberated through the mirrored room.
“并不是能称之为真正的女演员？“ 屈赛的声音震响了我们桌子上的瓷器和餐具，并在房间的对面回荡。
The celebrated playwright was awarehe had blundered.
著名的编剧意识到他犯错了
“What I mean… mean to say,” hebegan.
“我的意思是…..“
“I know what you mean to say, youstupid bastard,” said Spencer. ”I heard you. I understand English pretty goddamwell. I’ve been studying it for years, and anybody who says… Where the hell doyou come off calling her Kate? You don’t even know her.”
“我知道你说的是什么，你个愚蠢的**。我听到你说了，我对英语理解的很好，我花了几年时间来研究英语和谁说的。真见鬼你怎么能叫她Kate，你都不认识她，“
“No, but…”
“不，但是“
“What in Christ’s name does anactress have to do before she gets the big final Okay from you superciliouspipsqueaks? She’s only worked and studied and practiced and knocked herself outfor thirty years and improved all the time – and she was pretty goddam goodwhen she started – and taken chances, and challenges. Did you see her asCleopatra or in the O’Neill? The Merchantof Venice? The Taming ofthe Shrew? The Millionairess? What about The African Queen or Asyou like it? ThePhiladelphia Story? She was a greatactress in Morning Glory and that was 1933, God damn it! Look –don’t talk to me about acting. Talking to me about plays and playwriting or,what was that you called it? Dramaturgy? Yeah, talk to me about that. Or abouthistory or about geography. But don’t talk to me about acting. I know aboutacting and ‘ve acted with this girl – a lot – and if she isn’t a real actress,then there never was a real actress. Thanks for the lunch. It was delicious.I’m going home now to throw it up.”
“天哪以主的名义，一个女演员需要在得到你这个目空一切的小人的认可之前需要做什么？在20年的时间里，她一直在工作、学习、练习直到精疲力竭，并且一直在进步。她的演艺生涯刚起步时就很不错，她一直在接受挑战和机遇。
你看过她演埃及艳后么[1]？或者O‘neill的作品[2]？威尼斯商人[3]？驯悍记[4]？百万富翁[5]？那你觉得非洲女王号[6]、皆大欢喜[7]、费城故事[8]如何？她在清晨的荣耀[9]里就是个伟大的女演员了，而那是在1933年！该死的，不要跟我谈论表演，跟我谈谈戏剧或者剧本创作，或者你所谓的戏剧艺术？嗯，跟我谈谈那个。要么谈谈历史啊地理。但是不要跟我讨论表演，我懂得表演，我和这个女孩一起合作过很多次，如果她不是真正的女演员，那么就没有真正的女演员了。
非常感谢你的午餐，很美味，我要回家把它吐出来。“
He was gone.
他走了。
It took the celebrated playwrighttwo double brandies to calm his nerves.
这位编剧喝了两杯白兰地才勉强镇定了一下他的神经。
“Good Lord,” he said, “What abetise! I seem to have touched his sensitive spot.”
“天哪，什么蠢事，似乎我触到了他的逆鳞。“
“You’re lucky he didn’t touch yoursensitive spot,” I said.
“你很幸运他没触到你的逆鳞。“
“I didn’t mean anythingdisrespectful, ” he said. “You know that. There are simply different styles ofacting. What I think about her would be true about Sarah Bernhardt, I suppose,or Ellen Terry. Mrs. Pat.”
“我并没有想表示不尊敬，“他说到，”你知道，只不过是不同的表演风格。我对她的看法和我对莎拉·伯恩哈特（译注：19世纪末20世纪初很著名的法国演员）、EllenTerry（译注：19世纪末20世纪初英国舞台剧演员，莎翁剧演员）以及Pat夫人一样。“
“Laurette Taylor?” Ruth suggested.
Ruth提议到：“Laurette Taylor （译注：19世纪末20世纪初美国著名舞台剧女演员，默剧演员，）“
“No, ” he said. “Not LauretteTaylor. She was the other kind. A great actress who invented a personality ofevery aspect.”
“不，并不是Laurette Taylor ，她是另外一种，一个伟大的能表现任何方面个性的女演员“
“Well, anyway, you can take comfortin one thing.” She said.
“无论如何，你至少可以在一件事上稍感安慰“Ruth说。
“What’s that?” he asked.
“是什么？“他问道。
“You don’t have to bother writingthat play for Tracy and Hepburn.”
“你就不用为给屈赛/赫本写剧本而烦恼了“
“No, ” he said, “no, I don’t.” andordered still another double brandy.
“是的，不用了。“说着，他点了另外的双份白兰地。

三楼交给译注和其他
译注: (1) Cleopatra：埃及艳后，赫本在1960年主演的舞台剧Antonyand Cleopatra
(2) O’Neill：应该指的是赫本在1962年主演的电影——长夜漫漫路迢迢，是O‘Neill的作品
(3) TheMerchant of Venice 威尼斯商人，赫本在1955（澳洲）/1957年(美国）的舞台剧
(4) TheTaming of the Shrew 驯悍记，赫本1955年澳洲主演的舞台剧
(5) TheMillionairess 百万富翁，赫本在1952年（伦敦/纽约）的舞台剧
（6）The African Queen 1951年，赫本与鲍嘉主演的探险片非洲女王号
（7）As you like it 皆大欢喜，赫本1950年主演的莎翁剧
（8）The Philadelphia Story 费城故事，赫本主演的舞台剧/电影
（9）Morning Glory 清晨的荣耀，赫本第一部获得影后殊荣的影片
译者碎碎念：
（1）我第一遍看的时候第一反应是这位不知好歹的用了屈赛对赫本的称呼，仔细看才发现他用的是大多数朋友称呼她的Kate，在Kanin的行文里，屈赛一般叫她Kath。PS：他们两个互相都有特定的别人不能用的称呼。
（2）多谢屈赛提到的那么多作品，很多来源于我不太熟悉的舞台剧。同样我很高兴他提到了费城故事、清晨的荣耀，这是赫本在认识他之前的作品，这两部加上小妇人，是我认为赫本在早期演艺生涯最出色的几部作品。
（3）and ifshe isn’t a real actress, then there never was a real actress，这句话适合裱起来。

更新二，同样来自于Kanin的回忆录
In the summer of 1954, Ruth and I were living in theSouth of France at St. Jean-Cap Ferrat. There had been talk that Kate andSpence would join us there for a time.
1954年的夏天，我和Ruth住在法国南部的St. Jean-Cap Ferrat，而Kate和屈赛将会和我们一起度过一段时间。
One morning, she phones and explains that it isimpossible for her to come, but asks us to urge Spencer to do so. She has to goto Hartford and will come along later. She lets us in on a secret. She has tohave an operation-minor, but still…She prefers Spencer far away to spare himany strain.
一天早上，Kate打来电话并解释，她将不能来了，但希望我们催促屈赛前来。她要去Hartford，之后才能前来，她让我们保密，她要做个小手术，然而…她屈赛能够远离以不要有什么压力。
We follow her instructions, Ten days later, we meetthe U.S. Constitution at Cannes and drive Spencer to our rented villa.
我们听从了她的建议，10天以后，我们碰面，载着屈赛前往我们租的别墅。
Les Rochers is run-down, but in its day must have beengrand. It was built by Paris Singer for Isadora Duncan who, as a result of anill-time quarrel, never lived in it. Spencer thinks it a riot; not only theplace itself, but the fact that we should be occupying it. Half an hour afterhis arrival, we are all swimming about in the bay in front of the house. It isa perfect day. Spencer is doing his spouting-whale act.
Les Rochers很萧条，而在它的时日一定很辉煌。它由一个巴黎歌手所建。屈赛认为这很奢侈，不仅因为这个地方本身，还因为我们将住着。在他到来半小时以后，我们在屋前的海湾游泳。这是完美的一天，屈赛做着他“鲸鱼喷水”的动作
Ruth, floating (figuratively and literally), says,“oh, Spence, isn’t this wonderful?”
Ruth：“屈赛，这是不是很棒”
Spence, on his back, spouts and says, “Yup, And it’sno more than what we deserve.”
“是的，再好也不过”
Our Somnolent life goes on happily for a week, Spencerrising at five every morning to watch the sun come up and the fishing boats goout; reading, napping, resting, going to Mass every morning. Ruth and I are atwork. We all meet each day for the first time at lunch. Spencer reads and readsand reads. We walk and explore.
我们催眠般的日子快乐地持续了一周，屈赛每天5点起，看日出、外出钓鱼，阅读，小憩，休息，每天早上去参加弥撒（译注：罗马天主教圣餐仪式）。Ruth和我在工作，我们每天在中午第一次见面，屈赛不停地阅读，而我们步行探索。
He is on the phone daily with Kate. Secrets cannot bekept from so sensitive a man. He discovers what is happening. It throws himinto a controlled panic and I do not think he takes it kindly that we have kepta secret from him. Still, he understandings the problems of divided loyalty.
他每天都会和Kate通电话，对于这么一个敏感的男人来说，保持秘密很困难，他很快知道发生了什么，这使得他陷入了一种克制的焦虑当中，而我不认为他对我们对他保密这件事很高兴。不过他仍然明白这种“精分”的忠诚。
As though some dramatic complication were needed, inthe seventh or eighth reel, a general strike hits the area. There is no phoneservice, no telegraph. The rail-roads stop. There is no mail, incoming oroutgoing. It is, in sum, nothing less than the terrifying paralysis of ageneral strike. Spencer goes to pieces. I offer to drive him to Italy to make aphone call and perhaps stay there. We pile into the car, all three, and drivethe crowded roads across the border. We check into an Italian hotel, but thephones there are overloaded because of the French crisis and we cannot get acall through to Hartford. We try everything: bribery, corruption, rankingpulling. Nothing works. I suggest we stay the night and keep trying thefollowing day. Spencer reveals that he does not feel well. We get him home andsend for a doctor. An ugly and painful rush has developed around Spencer’smiddle. The doctor diagnoses it incorrectly as une piqure de meduse, or jellyfish sting.
就像是需要加入一些戏剧化的局面，在第七/第八天，罢工发生了（译注：真实乳法）。没有电话，没有电报，铁路停工，没有邮政进出。总而言之，彻底瘫痪了。屈赛非常沮丧。我提议驾车带他去意大利去打电话，或者也可以呆在那。我们三个上了车，驶过拥挤的街道，跨过了边界。我们住进了一个意大利旅馆，但那里的电话因为法国的事故而过度繁忙中，我们无法打电话去Hartford。我们试了所有的方法，贿赂、腐败、滥用职权，然而毫无用处。我建议我们留下来过夜，第二天继续尝试。而屈赛表示他不太舒服，所以我们带他回家并找了医生。他感觉到了腹部有刺痛，而医生错误地诊断为水母蜇伤（译注，这个有待确定）
“Very common, ” he says,“in this season. Be more prudent inthe water.”
“在这个季节非常常见，遇水要更谨慎。”医生说。
He leaves a salve. It is utterly ineffective. Thecondition worsens. Spencer is in severe pain. In the middle of the night I goand find another doctor. This one correctly identifies the ailment as un zona-shingles. There is nothing to do,he says, but the deaden the pain narcotically and wait for it to run itscourse.
他留下了一只药膏。这毫无用处，情况变得更糟，在午夜，屈赛经历了异常的疼痛，所以我去找了另外一个医生，这个医生准确地诊断为带状疱疹（译注：带状疱疹，由水痘-带状疱疹病毒引起，是由潜伏期的水痘病毒重新活跃所导致，目前发病具体原因并不十分明确，已知免疫能力下降和精神压力会导致，大多见于年长的人群）。医生说没什么可做的，除了镇定药物以止痛，然后等疼痛过去。
Downstairs, he asks, “M’sieu Spansaire（译注：不确定是不是指屈赛先生）, he is in someemotional strain?”
“Yes.”
“Ah, well, when it goes, the zona will go.”
下楼，他问道：“他是不是处于某种精神压力之下？”
“是的”
“那，压力消失时，他的病也会好。”
The next day, with the help of an influential friend,we are permitted to put through an overseas call. Before doing so, however, theoperator asks us to verify that it is “Urgent, Tres urgent.”
第二天，在一位有权势的朋友的帮助下，我们被允许打越洋电话。然而，在拨电话之前，接线员向我们确认是不是非常紧急的事务。
We assure her it is matter of life and death.
我们向她保证是生死攸关的事。
The call comes through. Kate insists she is fine, thatall is going well. Spence says nothing of his difficulty and they chant gailyfor half an hour.
电话接通了，Kate坚持她很好，所有一切都很好，屈赛也没有提及他的病，然后他们非常欢乐地聊了半个小时。
Five minutes later, the agitated chief operator is onthe phone accusing me of fraud and corruption and treason. The call, sheinsist, was “pas urgent,” not at all urgent. She accuses me of defrauding thecountry, betraying the strikers, of being a filthy, no-good Amerloque（译注：法语，美国佬） and assures me of a sentence tothe guillotine, or perhaps she said that that was what should happen to me.
五分钟之后，焦虑的总接线员开始在电话上控诉我们欺骗，腐败，叛徒。那通电话，她坚持，并不是那么急迫。她控诉我们欺骗了国家，背叛了罢工，一个肮脏的，一无是处的美国佬，并向我保证我会被审判送上断头台，或者说她说那是应该发生在我身上的。
Later in the day, Spence wants to phone again. I tellhim the story of the outraged operator. He insists I try again. For fortunately,I get another operator; but unfortunately, she has been briefed by the firstone. Ruth helps. Spencer talks. At length, the new operator is cajoled andbullied into putting the call through. Waiting for it, we coach Spencer to makeit-please-sound urgent, and not to talk for half an hour. The call comesthrough within two minutes. Reassured as to Kate’s condition, he begins to tellher about the telephone situation, laughing, and making her laugh. All at once,he is cut off.
那天晚些时候，屈赛想再打电话，我告诉他那个愤怒的接线员的故事，他坚持我应该再试试。幸运的是，我找到了另外个接线员，不幸的是，她已经被灌输了之前的事。Ruth帮了下忙，屈赛也加入其中。最终，那个新的接线员被哄骗了，被威胁地接通了电话。等待中，我们指导屈赛一定要表现的紧迫点，不要再打半个小时。2分钟之后电话接通，再次确认了Kate的情况后，他开始告诉她电话的情况，笑了起来，也把Kate弄笑了。突然，电话被切断了。
We try to re-establish the connection but this timethe operator refuses to speak to us.
The next day, Spencer flies from Nice to London and afew days later, Kate joins him there.
我们尝试再次接通，但是这次接线员拒绝和我们说话。
第二天，屈赛从尼斯飞往伦敦，而几天后，Kate和他在那里汇合。
译后注：这是我在整本书里印象最深的一段之一，没想到的是翻译起来却异常欢乐。Kanin在此篇当中并没有说明赫本做的什么手术，不过因为此事标注日期为1954年，而Kanin在其他行文当中说赫本在完成非洲女王号的拍摄之后因为过度暴露于非洲的阳光而得过皮肤癌（虽然她即时诊断并处理了），我个人只是怀疑有这个可能性。
此事标注的日期发生在1954年，同样很有意思的是，在外网的传闻当中，据称他两在1951-1956年之间分开过，原因是因为赫本在国外拍戏，而屈赛一如既往非常难以自处，又和女演员有染，赫本的侄女说道：赫本告诉屈赛，如果他继续，那么她就会离开他。

第三篇还需要点时间，先搬运点图，授权图如下

这几天在The Frick Pittsburgh有个大帝的舞台/电影服饰展，还有些她个人的服饰，还有一撮头发

怎么能少了大帝最爱的裤装

搬运更新…Kate的腰真的是叹为观止水平

在第三篇完成还需要点时间，今天在外网看到这个，我觉得我不想翻…大家都能看懂。

梯子终于恢复了，于是我出去逛了一圈。
看到白劳尔写屈塞死后，这种行为本身我不评价，然而看到写到她需要重建她的自信，还是很难过。

我终于把第三篇第一个重要的小故事翻完了，第一次看完就很对这个故事印象很深，会晕过去的大帝真可爱。
不过给我动力的还是因为我昨天看了大帝给屈塞做的那个纪录片，看着大帝眉飞色舞讲着他们认识之前屈塞拍片的一些小趣事，也提到了他们的第一次见面，还有她念写给他的信，纪录片的最后以猜猜谁来吃晚餐里屈塞对她的微笑以结尾。真是动人又伤感。
这个小故事度娘卡我说广告。。我准备截图发。。。。。。。。

今天无意中看到一本别人分享的书，有大帝的内容，我就下下来看了一下（没几张图，还大段写错的生平），我就存了几张图…以后大家不要费钱在这种垃圾书上

顺手贴两张大帝的美腿（其他可以无视，我对这腿流口水了）。起因是我看了个采访，猜猜谁来吃晚餐的卡司说屈塞在片场调戏说大帝的腿一直没怎么变过。