Cattails grow everywhere in the Upper Midwest, not just in marshes or at the edges of lakes but in suburban ponds and ditches beside freeway exits.
香蒲在中西部上游到处生长，不仅于沼泽地或湖泊边缘，而且在郊区池塘和高速公路出口旁边的沟渠中也能发现他们的踪影。
They’re the waypoints along Big Thief’s “Cattails,” a spiritual travelogue with a comforting, folksy thrum and a Neil Young twang in its fingerpicked guitar lines.
它们是沿着Big Thief的路标而生长的“香蒲”，这是一段有着令人欣慰的、平易近人节奏的精神旅行，与Neil Young用手指拨弄琴弦的感觉如出一辙。
The second single from the band’s forthcoming album U.F.O.F.celebrates thresholds between civilization and nature, whether the landscape view from a train window or the motel so remote that you might see a meteor shower over the parking lot.
这是乐队即将发行的专辑《U.F.O.F.》中的第二支单曲，为了歌颂文明与自然之间美妙的衔接，无论是从火车窗口欣赏风景，还是从汽车旅馆远眺，你都可能会看到从某个停车场上划过的美丽流星。
But Adrianne Lenker’s most arresting vision is of what awaits at her destination: an elderly woman sunbathing, in the “middle of the river in a lawn chair,” she sings.
但Adrianne Lenker最令人瞩目的愿景是她在目的地等待着什么：一位老妇人在享受日光浴，在“河流中间的草坪躺椅上”，她唱着。
Seated in the current, she too awaits the return to nature with cattails all around.
坐在周围满是香蒲的当下，她也在等待回归自然。