AC: You’ve been in so many hit shows, were there any that you were a fan of before getting a role in them?EMMETT: I usually end up doing original shows. I know all shows at one point are original, what I mean is that I’m there from the beginning, whether they are hits or misses and there have been plenty of both. Weirdly that’s just the way it has unfolded these past few years, so I’ve never really had the opportunity of being a fan of a show and then joining one, like a ‘Peaky Blinders’ or something. So, when this is the case, as it often is – my fandom comes from a different place. For example, ‘The Fall’ – I am a massive Allen Cubit & Gillian Anderson fan. Peoples previous work becomes the thing that gets me excited. With ‘Constantine’ it was David Goyer, Daniel Cerone and the fact it was DC comics. That was one of the misses unfortunately.
In the last five years the only show I’ve been part of that already had a season and a fan base behind it was ironically one that I was a massive fan of beforehand which was ‘In The Flesh’. Hugely underrated. The first season is only three episodes. I suggest whoever is reading this to stop, look it up and watch it. Dominic Mitchell created a piece of genius in my humble opinion and the BBC was its home. When they asked me to come in and read for season two I couldn’t wait. Despite season one winning a couple of BAFTAS, and season two being greatly received , we didn’t get to do a third season. I think we’d all have loved the opportunity to finish that story. But these are the breaks and if it wasn’t for the BBC we wouldn’t have had the chance to air it in the first place. So, you have to respect that, deal with it and move on.
Netflix’s ‘Safe’ sounds like we’ve heard it before: a gated community, ridden with secrets, a murder. What sets this show apart from other dramas?
Stories are like music. Everyone has a few chords to play with and what makes yours stand out from the rest is how you put them all together. That’s where imagination comes in, and that, thankfully, is limitless.
So where as “the missing girl” or “murder mystery” cases might have been done before, our chords are Harlan Coben, Danny Brocklehurst, Netflix, Michael C Hall, Amanda Abbington & Red Productions and I think that’s the making of some beautiful music.