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最开始的时候，既然producer有让电影从一个idea到最终完成的能力，如果还能卖座挣钱，本身就意味着片厂、投资人会上门找他，所以producer是内务外务一脚踢的。但是有的producer只对电影本身感兴趣，又或者他们拍的是文艺片，不太有卖座的前景（但有获口碑，获奖的可能），那么就会划分出一个专门来搞外务的这个executive producer。
这些人在业内有资源有人脉有人情，片厂和投资人为了和他们维持长期良好的合作关系，或者为了冲奖，也愿意投资支持一下他们的赔本挣吆喝的文艺片项目。所以executive producer和颁奖季的关系往往更紧密一些，例如经常当executive producer的harvey weinstein，scott rudin等等。一些著名的导演、演员也会出现在这个岗位上。
这些人在业内有资源有人脉有人情，片厂和投资人为了和他们维持长期良好的合作关系，或者为了冲奖，也愿意投资支持一下他们的赔本挣吆喝的文艺片项目。所以executive producer和颁奖季的关系往往更紧密一些，例如经常当executive producer的harvey weinstein，scott rudin等等。一些著名的导演、演员也会出现在这个岗位上。
Executive producer ，也做执行制片人翻译。以下是Wikipedia的解释：
In films, an executive producer finances the film or participates in the creative effort, but does not work on the set. His/her responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities.[3]
The crediting of executive producers in the film industry has risen over time. In the mid-to-late 1990s, there were an average of just under two executive producers per film. In 2000, the number jumped to 2.5 (more than the number of standard 'producers'). In 2013, there were an average of 4.4 executive producers per film, compared with 3.2 producers.[4]
In films, an executive producer finances the film or participates in the creative effort, but does not work on the set. His/her responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities.[3]
The crediting of executive producers in the film industry has risen over time. In the mid-to-late 1990s, there were an average of just under two executive producers per film. In 2000, the number jumped to 2.5 (more than the number of standard 'producers'). In 2013, there were an average of 4.4 executive producers per film, compared with 3.2 producers.[4]
