21.SWLABR
Felix Pappilardi, the producer on Cream's album Disraeli Gears, had broken up with his girlfriend and was drawing mustaches on photos of her. SWLABR is the acronym for "She Was Like A Bearded Rainbow".
22.TEARS IN HEAVEN
Tears In Heaven was recorded for the soundtrack of the film Rush. Its first public performance by Eric Clapton was on 16 January 1992 during filming for Eric’s episode of the MTV show, Unplugged. Eric Clapton said, “My question was ‘Will I see you again?’ In a sense, it wasn't even a sad song. It was a song of belief. When it talks about there will be no more tears in heaven, I think it's a song of optimism ... of reunion. What was worrying me was I hope to God we didn't meet up in some kind of heaven hotel lobby and just walk by one another," Eric recalled. (From the 5 April 1998 Australian 60 Minutes interview). He has also said that “The timing was perfect, because they needed a song about loss and I had plenty of them. ‘Tears’ was actually in a very embryonic stage when I was approached and I completed it for Rush. I needed the film to finish it, because otherwise, I probably would have let it go. It was also a good opportunity for me to write about the loss of my son and have somewhere to put it, to channel it, because it didn’t look like I was going into the studio in the near future. I really wanted to be able to say something about what happened to me and the opportunity that this movie presented me was excellent, because it meant that I could write this song and express my feelings and have it come out quickly. After the song was done, I thought that it would be nice to put it out as a single as well.” (From June 1993 Guitar World). Eric Clapton's song "Tears In Heaven" is on the soundtrack for the film Rush (1992) and live versions can be found on Unplugged (1992) and One More Car, One More Rider (2002). “Tears In Heaven” was retired from Eric’s concert repetoire in 2004.
23.WONDERFUL TONIGHT
Eric Clapton wrote the song while waiting for his first wife, Pattie, to get dressed for a night out. They were on their way to a party hosted by Paul and Linda McCartney in honor of Buddy Holly’s birthday. They were running very late and Pattie insisted on trying on every outfit in her closet to find the perfect one. She kept coming downstairs wearing something new and Eric kept telling her, “You look wonderful. Can we go now?” Eventually, he became tired of this and picked up a guitar to keep himself occupied and wrote “Wonderful Tonight”.
“Wonderful Tonight” holds the distinction of being the “most issued” song by Eric Clapton. The original version appears on no less than 5 Clapton albums: Slowhand(1977), Timepieces (1982), Backtrackin’ (1984), Crossroads (1988), The Cream of Eric Clapton (UK - 1987, US - 1995). Different live versions of the song appear onJust One Night (1980), 24 Nights (1991), Crossroads 2 - Live In The Seventies(1996), Superstars In Concert (1996 - a compilation of live recordings from various Prince’s Trust Concerts), Blues (1999), Saturday Night Live 25 Volume 1 (1999 - a compilation of live recordings from the US television show) and One More Car, One More Rider (2002). Some of the above versions have also been issued as extra tracks on CD singles or on compilation recordings by various artists. Another live version of "Wonderful Tonight" was included on the video of In Concert: A Benefit For The Crossroads Centre At Antigua (1999).
24.YOU WERE THERE
Eric Clapton wrote this song after finding out about Princess Diana’s death and it turned into a tribute to his long-time manager, Roger Forrester. “I had my daughter staying with me during the summer and I went around to the news agents on the Sunday morning and it was on the front page that Princess Diana was dead. All this stuff started coming up like it did for everybody. For me, it was like a compilation of feelings that go back to every loss that I’ve ever experienced. And I had this feeling ... and I didn’t want it to get pinned onto this event. I wanted to actually place it somewhere where I felt it really belonged. And so I took it to a relationship that I have been involved with, myself, for the last 25 years, which is with my manager. And I took this feeling and put it in this song for him.” (From the March 1998 Rock Daily on-line interview)