Gus Van Sant’s sticky, gooey side — previously on display in the likes of Finding Forrester and especially in the 2011 Restless — oozes out once more in the woefully sentimental and maudlin The Sea of Trees. What happens to the more tough-minded and adventurous sides of the director’s personality on such ventures is a mystery, as they are entirely absent in this theoretically promising tale of two distraught men, an American and a Japanese, who meet while venturing into Japan’s infamous “suicide forest” to kill themselves. This pre-Cannes Roadside Attractions acquisition officially ends Matthew McConaughey’s exceptional recent run of top-notch performances and films, although his name will attract a bit of business in a modest theatrical release
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There are numerous ways that the spectacle of an American man headed to Japan to officially do himself in could be treated. But screenwriter Christopher Sparling (2010’s Buried) has chosen an approach that is sincere to the point of utter banality, a posture further reinforced by an obvious music score, inescapably indulgent acting and the project’s overriding motivation to turn a story of suicidal distress into something generically life-affirming in the most elementary Hollywood manner.
Sporting a scruffy, short beard and glasses, Massachusetts science teacher Arthur Brennan leaves the keys in his car at the airport and takes no luggage on his flight to Japan, where he heads straight to the Aokigahara Forest. Considered a haunted place going back centuries, this lushly wooded, darkly green enclave in the distant foothills of Mount Fuji is festooned with video cameras and signs reminding visitors that “You only have one life. Take good care of it.”
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