Since the earliest days of artistic creation, the nude form has provided endless aesthetic inspiration to those working with camera, paint or pen. Back in the day, a scandalous representation like Francisco Goya's "The Nude Maja" could keep art lovers hot and bothered for days. In the post-internet age, you're going to need some more nudes.
从艺术创造开始不久，裸体形式就为那些用笔，油漆和摄像头工作的人提供了无尽的灵感。早年间，类似戈雅的“裸体的巴哈”等无节操的表现形式可以让艺术热爱者激动和烦恼很多日子。在后互联网时代，你将需要一些更多的裸体。

Enter: Evelyn Bencicova. The 21-year-old photographer, born in Bratislava and based in Berlin, takes photographs with the drama of Theodore Gericault's "Raft of the Medusa" and the dark eroticism of Salvador Dali's "Voluptuous Death," if designed to get voted up many a time on Reddit.
让我们进入Evelyn Bencicova的世界。这位21岁的摄影师，出生于斯洛伐克的布拉迪斯拉发，现在常驻柏林，拍摄出的照片像杰里柯的“美杜莎之筏”一样戏剧化，像以及和萨尔瓦多·达利“丰满死亡，”一样黑色情欲。在Reddit网站上获得了很多投票。

We're not quite sure what to call what we're looking at here, so we'll call it "the nude pile." In fancy terms, pallid, undressed forms converge into contorted amalgamations expressing a combination of togetherness and isolation. In not so fancy terms, nude pile. Bratislava piles on nudes on nudes on nudes, in such ambiguous positions it's hard to tell if they're engaged in an orgy or a post-apocalyptic nap.
我们不太清楚什么叫我们在这里看什么，所以我们把它叫做“裸体堆。”用更高大上的术语说，苍白，脱衣形式汇合成扭曲的聚合来表达团结和隔离的组合。用印度吧的俗话说，裸堆。布拉迪斯拉在裸体上堆积裸体，再堆积裸体。如此暧昧的造型，很难讲这是一场狂欢，还是世界末日后的午睡。

评论：
Stephan Deziel:
真不错，不过看了《人体蜈蚣》，我的艺术世界被摧毁了。

Dom Herrera:
灯光大师水平，色调也很棒。这个女摄影师无疑非常有才华。不过我个人的感觉，没有用太多的色彩，人看起来都死了。不过这只是个人口味。

Ronald Hager:
像弗吉尼亚医院排队的人。。。

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顶楼主…加油

好吧，我是个一点都不懂艺术的人，我只知道我看到一堆刺身裸体的人扎堆在一起。

看着不色情的人体艺术在中国也是一大帮人反对

连毛都看不见也敢说裸体

艺术修养太低。只看见一堆肉。