Mike DiMartino is abbreviated as "MD" and Bryan Konietzko is abbreviated as "BK" in this interview.
ASN: Will the second season of Korra be a different story, or tied into the recent struggles of Republic City and the Equalists in some way?
MD: While Book 2 connects to what happened in Book 1, it is very much a whole new adventure and challenge for Korra and Team Avatar. Book 2 focuses less on political conflict and more on Korra’s spiritual development and her connection with the Spirit World. Republic City is still a major player in the story, but we also branch out and see more of the world, specifically the Southern Water Tribe.
ASN: Did the advances in technology and the large urban location present its own unique challenges?
BK: Definitely! Initially we thought setting it in one city as opposed to landing in a new location every episode (as we did in most of Avatar) would save on designs, but in the end a metropolis is a challenging locale as well.
ASN: Visually, Korra has definitely risen above the original series. Even with all the changes, were there still things you wanted to see in Korra, but needed to sacrifice because of budget or time?
BK: Of course! I, for one, am rarely satisfied, so there is plenty I would have changed or improved if we could have. That said, I am very proud with many of the art direction achievements in Korra as compared to Avatar.
ASN: Will the second season of Korra be a different story, or tied into the recent struggles of Republic City and the Equalists in some way?
MD: While Book 2 connects to what happened in Book 1, it is very much a whole new adventure and challenge for Korra and Team Avatar. Book 2 focuses less on political conflict and more on Korra’s spiritual development and her connection with the Spirit World. Republic City is still a major player in the story, but we also branch out and see more of the world, specifically the Southern Water Tribe.
ASN: Did the advances in technology and the large urban location present its own unique challenges?
BK: Definitely! Initially we thought setting it in one city as opposed to landing in a new location every episode (as we did in most of Avatar) would save on designs, but in the end a metropolis is a challenging locale as well.
ASN: Visually, Korra has definitely risen above the original series. Even with all the changes, were there still things you wanted to see in Korra, but needed to sacrifice because of budget or time?
BK: Of course! I, for one, am rarely satisfied, so there is plenty I would have changed or improved if we could have. That said, I am very proud with many of the art direction achievements in Korra as compared to Avatar.