With a suspicious number of
cameo appearances, including one by his regular collaborator Stephen Merchant
and another by Edward Norton.
NEWYORKER: The Invention of Lying
The film presents a more
youthful Lecter (although Hopkins cannot camouflage his years) who arrives in
jail after spearing a detective called Will Graham (Edward
Norton).
NEWYORKER: Red Dragon
Edward Norton,
replacing Eric Bana, is Bruce Banner, who, when provoked, grows into fifteen
feet or so of lime-green power with the temperament of a nasty five-year-old
boy—he likes to throw things.
NEWYORKER: The Incredible Hulk
Hoping to escape mediocrity and
boredom, a depressed corporate worker (Edward Norton) joins a
sub-fascist group of disaffected men, a band of bloody brothers, which grows
larger and more organized, finally planting bombs.
NEWYORKER: Influencing People
An intelligent and rather
overcivilized caper movie, set in Montreal, which features three generations of
great male actors: Marlon Brando (sounding like his long-ago nemesis Truman
Capote) as an upper-class aesthete and fence with exquisite manners, Robert De
Niro as a saturnine jazz-club owner and safecracker who never takes risks, and
Edward Norton as a brilliant but willful young con man and
criminal.
NEWYORKER: The Score
都是有道是查的。。。