【RF】翻译Coriolanus echoes the war in Sebia

Telegrap的review
Coriolanus echoes the war in Sebia
Dragan Micanovic, right, plays Titus Lartius alongside Ralph Fiennes in the title role of Coriolanus.
Zoe Dare Hall Last Updated: 3:53PM GMT 30/01/2012
Telegrap的评论：
科里奥兰纳斯映现了塞尔维亚的战争。
德拉根-米堪诺维克，和拉尔夫费因斯一起，在《科里奥兰纳斯》中出演了Titus Lartius一角。
佐伊-达特-豪尔 最后一次更新：下午3:53 格林尼治标准时间：2012年1月30日


Dragan Micanovic discusses his role in Fiennes’ new film, set in Belgrade, which reminded him of the recent conflicts in Serbia.
When Ralph Fiennes picked modern-day Serbia as the setting for his big-screen adaptation of Shakespeare’s Coriolanus, the parallels were obvious.
The tale of Roman military hard men, war and betrayal all too readily recalls the Balkan conflicts of the 1990s – the more so for Serbian actor Dragan Micanovic, who plays Titus Lartius, a comrade of Coriolanus.
德拉根-米堪诺维克讨论了他在费因斯新电影中的角色，电影的拍摄地在贝尔格莱德，这让他想起了最近发生在塞尔维亚的冲突暴乱。
当拉尔夫费因斯选取今日的塞尔维亚作为他大银幕改编作品《科里奥兰纳斯》的拍摄地时，这两者之间的相似之处很明显。关于罗马这个严厉的军官，战争和背叛的故事太容易让人想起20世纪90年代巴尔干半岛问题的冲突与战争---对于饰演电影中科里奥兰纳斯同伴的塞尔维亚演员德拉根-米堪诺维克来说，更是如此。

Filming in Micanovic’s home town of Belgrade – a city that still bears the political and physical wounds of war – provided him with a sobering lesson in just how cyclical human behaviour is.
Coriolanus, played by Fiennes, is a military hero, but his disdain for the common people sees him written off as a traitor. After he is run out of Rome, he sides with his enemy to wreak revenge.
影片在米堪诺维克的家乡贝尔格莱德拍摄，这是一个仍在经受着战争的政治夹攻和实物创伤的城市。
这让米堪诺维克得到了令人警醒的教训，而这个教训仅仅是因为人类的往复循环式的行为（注：应该是指无休止的战争，暴乱等等）所导致的。费因斯所扮演的科里奥兰纳斯是一个军人式英雄，但是他对大众的轻视导致了他被大众认为没有价值，并且成了一名叛徒（卖国贼）。当他逃出罗马后，他决定和他的敌人一起酝酿着报仇。

“If we learn any lessons from Coriolanus, it’s that the circle of violence will never end unless we make a full stop,” says Micanovic. “And if politicians are only out to serve themselves rather than the people, whole nations will suffer.
“I have felt that very strongly in my country. I grew up in a house near the Bosnia-Herzegovina border that has been in five different countries over the decades. That’s the ridiculous modern history of my nation: I live in a country that has suffered so much and is still suffering because of terrible political decisions.”
“如果我们能从科里奥兰纳斯（注：有可能指这部电影或者人物）中得到一些教训的话，那就是暴力无止境，除非我们完全停止这种行为。”米堪诺维克说道，“还有就是政客如果只是为了自己而不是人民，那么整个国家都会跟着遭殃。”
“在我的国家，我能够强烈地感受到这一点，我是在波斯尼亚-黑赛哥维那边境旁的民房里长大的，这个边境线在过去的十年中属于五个不同的国家，（原文直译应该是在五个不同国家的地域里）这就是我们国家荒唐可笑的现代史。我所居住的国家（指塞尔维亚）已经并仍在承受苦难，这一切是因为糟糕的政治决策。

Micanovic, 41, an award-winning actor in Serbian theatre who has appeared in Layer Cake, RocknRolla, Casualty and Ashes to Ashes, finds the character of Coriolanus frighteningly familiar. “After 400 years, we still have Coriolanuses in the world,” he says. “You see guys walking around Belgrade with the faces of war criminals such as Radovan Karadzic and Ratko Mladic on their T-shirts. They are still national heroes to some people.”
米堪诺维克，41岁，他获过塞尔维亚剧院奖，并出演过多部电影《夹心蛋糕》《摇滚帮》《受害人》《尘归尘》等。他发现科里奥兰纳斯这样的（书剧中的）人物现在仍然骇人的熟悉。“在400年之后，世界仍有‘科里奥兰纳斯’人。”他说，“你（可以）看见那些身穿战犯头像做成T恤的人在贝尔格莱德游荡，这些战犯包括拉多万-卡尔季奇，拉特科-姆恩拉克。在今天，对某些人来说，这些人仍然是国家英雄。”

Karadzic was a Bosnian Serb politician and Mladic the Serbian army chief during the bloody conflict that followed the break-up of Yugoslavia. Both are now being tried in The Hague.
“Mladic was a soldier, and now he’s in prison. If he read Coriolanus he could find his story in it,” says Micanovic, who, disillusioned with how little had changed after the war ended in 1999, left Belgrade to live in London for three years.
在当时血腥的战争冲突中，卡拉季奇是塞尔维亚-波斯尼亚籍的政客，姆恩拉克则是一名军队首脑。战争随后导致了南斯拉夫的解体。他们俩人现在正在海牙国际法庭接受审问。
“姆恩拉克曾是一名士兵，然而现在他却呆在监狱里。如果他在以前读过科里奥兰纳斯，他就能在书中发现自己的故事。（即找到自己的影子）”米堪诺维克说道，他在1999年战争结束后醒悟到现实并无多大改变，于是离开了贝尔格莱德，在伦敦住了三年。

Curiously for a president who thought little of disposing of dissenting voices, Milosevic paid scant regard to the country’s theatres when in power. “He just didn’t care at all about culture, so we could do what we wanted – and we did some fantastic anti-government plays that told exactly what was going on in the Balkans,” says Micanovic. “Now we have the freedom to do what we want, but there isn’t much money for culture, which is sad as it would be a way to rebuild our integrity.”
让人好奇的是，作为一个很少考虑去处理不同意见的总统，米洛舍维奇在掌权时对国家的剧院并没有多少尊敬之意。“他一点也不关心在乎文化（的发展和建设），所以我我们能做我们想做的----我们排了一些十分精彩的反政府的戏剧来告诉（人们）在巴尔干半岛都发生了什么，”米堪诺维克说道，“现在我们可以自由地做我们想做的事情，但是没有足够的钱为文化（建设），这一点让人不快因为它本可以重建我们的正直坦诚的品性。”


Poverty is rife in Fiennes’ film, his directorial debut. As ‘Rome’, Belgrade appears dismal and beleaguered, chosen by Fiennes partly for its urban decay, but also for its busy market places and elegant civic buildings, such as the Serbian Parliament Building. Doubling up as the Roman Senate, the scenes of mass protest are an unnerving mirror of events that took place in the 1990s.
在费因斯初次执导的电影中处处充满了贫穷的色彩。作为“罗马”，贝尔格莱德看起来凄凉阴暗，且被重重围困，费因斯选择它部分是由于（贝尔格莱德的）城市衰败，但也是因为它繁忙的集市地区和优雅的城市建筑，比如塞尔维亚议会大厦。兼职出演罗马议员，群众大规模反抗的场景是发生在20世纪90年代令人沮丧事件的忠实写照。

To add to authenticity, soldiers from the SAJ, Serbia’s prime anti-terrorist unit, were brought in to advise the cast on battle scenes, teaching them how to shoot and protect themselves in fights. The SAJ troops play Roman soldiers on screen.
为了增加真实性，来自SAJ，塞尔维亚一流的反恐部队被带进片场，向演员提供关于战争场景的建议，教他们如何射击，如何在战斗中保护自己。SAJ部队在电影中扮演罗马士兵。

With the atrocious conflicts in the Balkans still a comparatively recent memory, such re-enactments could have been an uncomfortable reminder. But Micanovic, an ardent hater of guns and uniforms before filming, surprised himself. “Suddenly I enjoyed being a man with a gun and learning from the anti-terrorist unit, who were very young but dangerous guys, trained by the US Special Forces. We filmed the battle scenes throughout the entire town of Pancevo, just outside Belgrade, setting off explosions all over the place and firing 2,000 bullets in one day. The atmosphere was incredible.”
因为巴尔干问题上恶劣的冲突仍是比较新近的记忆，如此重现历史本可能是一个令人不舒服的带有提示意味的事情。但是让米堪诺维，一个在拍摄电影之前很讨厌枪支和制服的人，却让自己难以置信。“突然间，我很享受我是一个武装分子的事实，并向反恐部队求教，他们都很年轻但是也很危险，受训于美国特种部队。在潘切沃镇的各处，就在贝尔格莱德外，我们拍摄战斗（争）场景。我们在各处引爆炸药，并且在一天之内用掉了200发子弹。拍摄场景很棒，很有感觉！”

Coriolanus’s message is far more powerful, though, than a simple modern war film. And Micanovic hopes his fellow Serbians will recognise that.
“When Serbians see Belgrade as Ancient Rome and how, because of corrupt politics, heroes become villains, I hope it will change their minds of how things should be.
“But I’m not sure. We learn so little from our mistakes.”
Coriolanus will be in cinemas from 20 January.
科里奥兰纳斯的宣传攻势很强大，但是尽管如此，它并不是一部简单的战争电影。米堪诺维克希望塞尔维亚人能够承认这一点。
“当塞尔维亚人把贝尔格莱德看成是古罗马，并且看到因为腐败的政治，英雄是怎样变成恶棍的时候，我希望能改变他们本来事情就该如此的观点。但我并不确定，因为我们从我们的错误中吸取的教训是如此之少。”从1月20日起，科里奥兰纳斯将在影院上映。

叔关于这部影片的一些话
"While I hesitate to use the word 'proud', the essential feel of the film was very close to what I wanted to make," Ralph said.
"Having lived with it for a long time and having that distance, I can see all kinds of things you wish you could have done differently or better. I was on a big learning curve and made choices under pressure.
"If I was going to do this film again, I would have a lot more shooting time and revisit certain scenes which weren't executed to my satisfaction, because of the time pressure."
＝＝＝＝＝＝＝＝
叔关于这部影片的一些话：
尽管我很犹豫去使用“骄傲”这个单词，但是关于这部电影的基本的感受已经和我本来想做到的很接近了。
带着那样的状态生活一段时间，有了那种距离，（这里应该是指拉叔又导又演吧）我能够看到所有你本想做得不同或做得更好的不同种类的事情，我曾在一个重大学习的转弯处并在压力下做出了选择。
如果我能有机会再次拍摄这部电影，我想有更多的射击时间，并且重游某些因为时间限制我不满意的场景。

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敬请指教（翻地实在不咋地自我感觉）

真好，好喜欢看评论科里奥兰纳斯的文章~~